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Digital Photography is an introduction to
the world of photography. Students will be introduced to the past, present
and future of photography, as well as the men and women who have shaped
the art of photography throughout its history.
Students are not required to purchase
a personal digital camera. However, because of the shortage of
cameras, students are encouraged
to bring
or purchase their own cameras if possible. Please click here (updated) to
see my camera recommendations if you plan on purchasing a camera for
the
class.
There
will also be available the option to use traditional
cameras in class
and
scan work in for
further editing. This option will cost the
student additional money because of film processing costs, but can
also give additional options. Details about this option will be discussed
in class.
There is a $30 class fee.
This fee covers the costs of: printing photographs, burning CD's, and
mat board for matting final projects. Checks need to be addressed to
FTHS and paid at the Student Store. Bring the receipt from the student
store so that you can be checked off as having paid.
Notebooks will be required for note taking, and will be checked without
notice. It is expected that each student will take detailed notes as
to follow the requirements of the assignments.
I am very excited to
be teaching this course, and I look forward to exploring the world
of photography, expressing ideas and concepts through the medium, and
for each student to find his or her voice in their images. Shoot away! |
Projects |
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Student Project examples by year
2008-2009
Room & Kitchen | Macro | Thesis/Antithesis | Portraiture | Fashion Project | Ad Copy | Photographer Copy | Photojournalism | Music Video | Elements of Design | ABC Project | This I Believe... | Questions Without Answers | Extraordinary Project | Water |Action Shot | Abstract | Motion | Studio Lighting Intro |
2007-2008
Room & Kitchen | Macro | Thesis/Antithesis | Portraiture | Fashion Project | Ad Copy | Photographer Copy | Photojournalism | Music Video | Elements of Design | ABC Project | This I Believe... | Questions Without Answers | Extraordinary Project | Water |Action Shot | Abstract | Motion |
2006-2007
Room & Kitchen | Macro | Thesis/Antithesis | Portraiture | Fashion Project | Ad Copy | Photographer Copy | Photojournalism | Music Video | Elements of Design | ABC Project | This I Believe... | Questions Without Answers | Extraordinary Project | Water |Action Shot | Abstract | Motion |
2005-2006
Room & Kitchen | Macro | Thesis/Antithesis | Portraiture | Fashion Project | Ad Copy | Photographer Copy | Photojournalism | Music Video | Elements of Design | ABC Project | This I Believe... | Questions Without Answers | Extraordinary Project | Water |Action Shot | Abstract | Motion |
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| Welcome to Advanced Photography. |
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Project Descriptions
Action? Portraits
Project one is the combination of control and chaos. Each student will photograph their model in spontaneous action and juxtapose the image with a formal portrait. Examples that would work include an image of someone playing soccer, boxing, dancing, etc. Anything where the model is not able to control their look, natural, unadulterated. Someone getting punched with a boxing glove, will not be posing. Once completed, each model will be used to create a formal portrait. This can be taken at the site the action shot was taken, or otherwise. If photographing a boxer, the portrait might be taken downtown, in the middle of an intersection. Location can add to the strength of the image, experiment!
Three of each image.
Color/ Black & White
Each photographer is to create ten color and ten B&W images. Subject matter is up to the photographer.
Photographer Envy
Each student is to research and either reexamine their favorite photographer, or discover one they have not previously known. Pick a photographer who inspires, whose work is amazing! The style, history and content of the photgrapher is going to be copied in five photographs. Final images due 10/28 for 1st & 5th, 10/29 for 6th period.
Sell the Product!
Advertising sells everything! Boring products are given a life through elaborate commercials and slick ad campaigns. You, the amazing advanced photo student will sell a product through a series of photographs. The product needs to be present in every picture.
- Three photographs of the product in a staged scene, (think Ad Campaign).
- Three photographs of the product with a model
- Three photographs of the product in a "product shot"
- Demos on lighting will be given in class. Examples will be shown in class and concepts will be discussed as a group. Shoot away!
Advertising Techniques
Links to Examples:
coloribus Ad Campaigns:1 Product Shots Conceptual Products 2 Conceptual 2 Digital Concept Concept
contest winners Ads of the World
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Filmmaking |
Film List |
Assignments |
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Writings |
| w1 |
w2 |
w3 |
w4 |
w5 |
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w7 |
w8 |
w9 |
w10 |
Exercises |
| e1 |
e2 |
e3 |
e4 |
e5 |
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e7 |
e8 |
e9 |
e10 |
| e11 |
e12 |
e13 |
e14 |
e15 |
Projects |
| p1 |
p2 |
S1F |
p4 |
p5 |
| p6 |
p7 |
p8 |
p9 |
p10 |
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Preparation for the course: Start watching films. Watch
your old favorites and look for things that you never noticed before.
Take mental note of what it is about the films that you enjoy. Look
at the use of or lack of sound, use of lighting, color, angles, and background.
Take note of the directors of your favorite films and look for others
by the
same
director. Netflix is an excellent way to cross-reference films. I recommend
staying away from Blockbuster if possible, I recommend renting from Salzers.
If you can afford it, buy a video camera. I recommend the Canon Elura90.
It can be purchase for $525 here.
If you can afford more, look at the Sony DCR-VX2100 here.
I am very excited to be teaching this course. Much depends
on you, the student to bring to the course your ideas, your passion,
and your time. We can provide the equipment, we can teach you how to
use
the equipment, but the the task of telling the story depends on you.
Plan on reviewing movies in class as well as outside of class, working
with drama students/student actors, creating sound for your movie, and
working in groups to create small films. Saturate your brain with beautiful
cinematography so that you can be inspired!
Filmmaking has a $20 course material fee. The
fee offsets the cost of MiniDV tapes, blank DVD's, (each student will
be making DVD's of their work) and CD's. It is expected that the money
will be turned into the student store by the second week of school,9September
5th). Each student will need to bring a receipt to the teacher as proof
of payment. If you cannot pay until a later date, please speak with
the teacher privately and arrangements will be made.
Students will be introduced to the rhetoric of film and be expected, in writing,
to analyze, describe and breakdown the elements of a shot, a scene, and a
sequence. Students will be introduced to major film genres including the
Western, Film Noir, Science Fiction, War, Documentary, and Action/Adventure.
Students will be introduced to and expected to know the directors, directors
of photography, and actors who are best known for their influence on specific
genres. Students will learn shot techniques, camera movements, and basic
lighting techniques. Students will learn story boarding techniques and be
responsible for the creation of a short film each quarter in a specific genre’s
style.
I. General Course Goals
Filmmaking introduces students to the art, technique, and creation of filmmaking.
Students will research and review filmmaking from the perspective of a performing
and visual art. The use of the elements and principles of design used in
film will be researched when reviewing films and breaking down the scenes
and technique applied to the creation of film will be studied. Students will
explore historical relationships between film, society and world culture.
II. Measurable Student Objectives at Completion of Course
Students will learn (increase) their knowledge of Film vocabulary through observation
of and written reflections on films productions, both on campus and off. Reflections
and class discussions will enhance students’ comprehension and analysis
of Film productions, including genre, period, style, mood, and pacing. (Standard
1.0, Artistic Expression and 4.0, Aesthetic Valuing)
Students will read about, write about and discuss Film history, its reflection
of society and its impact on society and world culture. (Standard 3.0, Historical
and Cultural Context)
Students will learn elements of dramatic structure by analyzing plots and plot
devices in films, looking at linear and non-linear time lines, genres, etc.
(Standard 4.0, Aesthetic Valuing)
Students will create short, silent films to learn how to express themselves
visually in the “moving” picture arena. (Standard 2.0, Creative
Expression)
Students will look at the uses of filmmaking within the Hollywood framework,
the business framework, education and personal use. (Standard 5.0, Connections,
Relationships, Applications.)
Students will be able to identify key events, personnel and trends in world
Film. (Standard 3.0, Historical and Cultural Context).
III. Anticipated Instructional Mode used to Deliver Course Materials
Lecture
Film Production: Group work
Student led lessons on specific film styles
Film Presentations
IV. Evaluation Design and Assessment
Students need to be able to demonstrate through inclusion in their writing,
a working knowledge of specialized Film vocabulary.
Students written work will be assessed for English (Language Arts) skills:
grammar, punctuation, vocabulary, format (including script), will be assessed
according to the appropriate grade level.
Effort and improvement are stressed. Students’ work, both writing and
filmmaking will be evaluated throughout the year to determine the level of
improvement in both categories. Students are required to keep a notebook/portfolio
of their written works. Notebooks should include class notes, personal reflections/observations,
and reaction papers. Students must participate in all class activities.
Written work is assessed by content, accuracy (comprehension, historical
accuracy, etc.), use of vocabulary and analysis. A rubric is presented
to students for the major assignments. Students are required to learn
and use various film editing software such as Adobe Premiere, and Final
Cut Pro. There will be opportunities for selected student to create work
in Adobe After Effects, and DVD Studio Pro. To express their ideas effectively
and properly, the technical aspect of the class is required knowledge.
Basic needed knowledge includes: capturing and exporting digital video,
use of firewire, soundtrack creation, controlling and creating sound
effects, copyright law, and selecting a proper film codec. These requirements
will increase throughout the year. |
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Screen Shots |
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Once Upon A Time
Once Upon a Time Fight Scene
(142 MB)]
Amelie Screenshots
Gattaca Screenshots
A Very Long Engagement screenshots
Film Recommendations:
Foreign/Subtitled Movie
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On The Waterfront |
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Requiem For A Dream |
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Pulp Fiction |
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The Empire Strikes
Back |
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Fight Club |
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Seven |
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The Sixth Sense |
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The Thin Red Line |
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The Mission |
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The Incredibles |
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Heat |
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The Godfather |
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City of God |
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American Beauty |
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The Shining |
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Memento |
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The Matrix |
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Citizen Kane |
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Cinema Paradiso |
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Dr. Stangelove |
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Shine |
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The Usual Suspects |
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Welcome to Visual Communications at Foothill Technology High School taught
by Mr. Cameron Crouch. The class introduces the student to the world of
motion picture through nonlinear video editing.
It is highly recommended that Technology 3 be taken before enrolling
in Visual Communications. The beginning of the course consists of a quick
Photoshop refresher before diving into the programs Adobe Premier and
Adobe After Effects.
First Semester of Visual Communications consists of tutorials and training
in the use of programs.
Second semester will consist of creating videos that are highly polished
pieces for use in broadcast, film festival/contests, personal projects,
and teacher assigned group videos. Students will be responsible for story-boarding,
shooting, capturing, adding effects, transitions, audio, titles, and quality
of production.
There is a $10 class fee that pays for Mini DV cassettes, blank CD's
and blank DVD's. These materials will be used by the students to store
material and projects. Each student will be making a DVD compilation
of all their work from the year.
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| Assignment Links |
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| Student
Work |
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| Grading
Rubric |
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| Film Terminology |
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Welcome to Digital Art & Design. Digital Art
is an exciting class where creativity and technology join to form
amazing
work! Prepare to be pushed, explore ideas and concepts, and to learn
to effectively express oneself visually.
In Digital Art, each
student
will
become
highly
skilled
in
the
use of
both Adobe Photoshop, and Adobe Illustrator. Additionally each student
will learn how to
properly scan work, prepare work for the Web, for Print, and working
with Gamut in CMYK. First semester will focus on learning Photoshop,
and
the
remainder
of
the year will incorporate Illustrator and Photoshop together. Each
student will have their work published online in a digital portfolio.
At the
end of the school year, each member of Digital Art & Design will be a
Photoshop Master!. |
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Multimedia is taught as a digital
art class. Although each student will be working in pixels instead of
paint, each student will be creating with an artistic/creative intent.
Monkeys can learn Photoshop, but to use the tool effectively, much thought
and design planning will need to go into each project in order for the
student to be successful in Multimedia.
Multimedia has a $10 class fee. The fee covers the cost of CD's and
printing, both of which will be utilized by each student for displaying
art, and for backing-up work.
The principles and elements
of design are introduced early on in the year,
and are expected
to be
integrated
into
the development
and
execution of all work. Learning the elements and principles of design
can be tedious and difficult. However, once learned, the student has
the power
to use the tools to help with the success of the artwork, and the manner
in which the artwork is seen. |
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For
assignment descriptions, please select a number below. Exercises
start with E, projects
start with P.
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The assignments
in Multimedia are divided into two sections: Exercises and Projects. Exercises
are designed to help
the student learn a specific tool of the program such as masking in Photoshop.
Projects are a culmination of several exercises put together. As the
exercises are simply assigned to help student comprehension, it is not
expected that the work be compelling. Projects however, are designed so
that the student can take what they know with the program, and create a
highly personal and polished piece. Rubrics will be used for projects,
with each project having specific requirements built in. |
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Each student will be introduced to the world of
animation, its uses in the past, current uses, and possible uses for
the future. Students will have in-depth assignments dealing with the
workings
of Flash, and once mastered, will begin to use the program
as a tool to express and manifest their ideas. Students will create projects
for personal and artistic purposes as well as creating visual animations
and interactive tools for teachers to use in their teaching lessons.
A needs list will be made and requests will be taken from teachers and
each
student will contact the requesting teacher to map out what the finished
product needs to look like and what it should accomplish.
The Animation course will be taught similar to an art class and will use
the program Flash as the instrument for creating artwork. Each student
in the class should already be familiar with many of the art terms and
techniques presented from Art 1. Therefore, Digital Animation will take
the same techniques and principles and apply them to each student’s
animation. Each student at the end of the year is expected to have a portfolio
of work that will be posted online in a personal web site that each student
will create to advertise and present their artwork/animations.
Anticipated Instructional Mode used to Deliver Course Materials
Materials will be delivered through direct instruction, lectures, example
animations, and online tutorials. At second semester, student will be
grouped into pairs and each group will present a technique in animation
to the class.
Evaluation Design and Assessment
Evaluation will be rubric based, and the rubrics will each specify each
technique that needs to be addressed within the assignment. The Animation
class will be involved in learning, using, and designing with the elements
of design and the principles of design throughout the year.
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Be
patient toward all that is unsolved in your heart and try to love the
questions themselves. Rainer
Marie Rilke, 1934
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Welcome to the Visual World!
Now let us learn to see what we see...
Art 1 is an introduction to the study of Art, and focuses on Design
and Drawing skills. The first semester will consist of drawing
exercises, and the elements and principles of design. The first
semester
will be where each student learns the tools and skills of drawing, and
the second semester will consist of each student taking what s/he has
learned, and applying it to projects.
Learning to draw, and to create art can be an extremely rewarding process.
However, like many things in life, art can be a terribly frustrating,
hair-pulling encounter. It is the focus of the art department to see
that the first experience becomes true It is the art department's wish
that each student will find their voice in
their
art
and learn to express themselves through art, and through the creation
of art. In order to gain success, each student needs to be willing to
practice,
practice, practice. Trying an exercise, and doing poorly on it does not
mean that success cannot be attained. Put in the time and effort, and
reap the rewards! Athletes spend more time practicing then they do playing
their sport, as will
each art
student
spend more
time
preparing
ideas and rough drafts for the projects then working on the project.
Enjoy the process, explore, push yourself, try over and over, and in
the end
much
will be
accomplished.
I look forward to spending a year watching each student grow and succeed,
and if problems arise, I am right there beside to help.
This class has
a $20 student fee which pays for:
drawing pencils
kneaded eraser
pinkpearl eraser
charcoal-(vine and compressed)
felt tip pen
pencil sharpener
watercolor set
portfolio case
plaster gauze for face casting
If the student loses their materials, they must buy more, either from
the student store, or an art supply st ore. Students are responsible
for keeping the materials in good condition.
The student store will stock certain items for those students who lose
their materials. Each student will be responsible for bringing their
own
sketchbook at least 81/2"x11", larger preferred, (11x14).
Click here to look at
the semester's assignments.
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If you are a student in any of my classes, you will be creating imagery.
Please be prepared to explore concepts and ideas that will your push
your creative capacities to grow and evolve. I will help with teaching
the technology, you will need to bring the ideas. Please keep the
ability to constantly amaze yourself fresh and consistently keep
sources of inspiration within arms reach.
Class Expectations:
Students are expected to come to class ready to learn, work hard,
and be ready to explore. Each student is expected to attend class with
all necessary materials. If absent, students are expected to
have contacted a student partner for the previous periods lessons and
assignments before coming to class. Late work is
not accepted except in certain instances, please stay up to date. No
food or drink in class. If this becomes a problem, it will be a problem.
Grades are not weighted.
The curriculum is designed to be exercise
heavy the first semester with a few key projects. Second semester
is largely
projects. Exercises are designed to teach a skill in the area that is
being studied. An example would be the use of depth of field with
still cameras in Digital Photography. The exercise will allow the
student to experiment and ultimately master the technique. The following
assigned project will likely incorporate techniques learned from
several exercises. In sport terms, exercises are practice, projects
are game day...do not mess up on game day!
Approximate breakdown of grade distribution:
Exercises: 30%
Projects: 60%
Quiz/Writing: 10%
Responsibility for deadlines and time
management is placed squarely on the shoulders of the student. No
late work will be accepted and no partial credit can be earned. Exceptions
will
of course be made for extreme circumstances. Per district policy, a student
has as many days missed to make up a missed assignment. This only applies
to exercises. As they are assigned weeks in advance, Projects need
to be turned in on the due date, regardless if the student is in attendance.
Arrangements
will need to be made
by the student to have the project delivered to the school office by
3:30 p.m. Emailing the project is only acceptable for writing assignments.
Please stay in communication if there are problems with the project,
deadline, etc. Communicating problems before the deadline is ideal,
after the deadline, highly problematic. Please see me during FIRE with
any concerns.
Absences
If absent, it is the student's
responsibility to contact their homework partner before coming to
the next class meeting. This allows each student, when absent to
attend class with any assigned materials or homework, keeping them
up to speed in class.
Please keep up with your assignments in class, use your time wisely,
and you should easily keep ahead of your studies.
Grading in this class is based on these factors:
1. Projects
2. Quizzes
3. Exercises
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My Children |
About
Me |
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I have many things in my life that have inspired me. However nothing has inspired me more than my two children. My son Ethan
Avedon, and my daughter Acacia Linnaea have opened up a new world to
me, and have taught me how to play like a child. I think one reason people
love having children is the fact that children give you a reason to act
like a kid again. It has been a truly amazing
journey; incredibly hard at times, but worth the effort. In regards to
their middle names, Avedon is a nod to the photographer Richard
Avedon,
a man whose work inspired me countless times. Linnaea, on a more romantic
note is from a coffee shop, named Linnaeas my
wife Suzzi and I frequented often while living in San Luis Obispo. It
was a place where art, music,
love,
and the smell of coffee filled the air.
Click on the image to see some pictures of my kiddos
. 
Ethan & Acacia
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I came screaming into this world, August 8th, 1974 An interesting day for historians.
I was born in the tiny town of Quincy,
California and lived my first year in a one room log cabin. One room
literally means that the entire
cabin was one room. Leaving Quincy, my parents headed for Los Angeles and
ended up living near my grandparents in Redondo Beach. We lived in Redondo
for several years before moving to beautiful San Luis Obispo. From the
age of four to twenty-five I enjoyed being surrounded by the mountains
of SLO and ended up not only growing up in San Luis, but also going to
college in town and meeting the person I would eventually marry. I attended Cal Poly, San Luis Obispo and majored
in Art
& Design with my concentration
in Photography and Digital Imaging. My wife Suzzi and I spent several
years finishing up school before deciding to
move
to
Ventura
to find
a higher
paying
job
and
be near my
wife's family. I attended Azusa Pacific University in order to earn my
Teaching Credential and Master's Degree. I took night classes
and was a substitute during the day. Substituting gave me a wide perspective
on education, students, and the overall feel of a school. I substituted
several times at Foothill Tech and fell in love with the school, the
staff, and
the sense of a student body that was in school with the desire to learn.
I am fortunate for a school like Foothill because it has a lot of the
technology needed in order to teach the classes that I am trained to
teach. The ability to teach Digital Photography, Visual Communications
and Multimedia
is
a rare find in a public high school. |
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Click the above image to see a selection
of images from my life. |
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Movies |
MUSIC |
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Here is a list of some of the movies that need to be seen in your lifetime...or
you might get sent back |
Below is a list of a some of my favorite musicians. It is by no means
complete, but these are groups that have staying power, so check them out. |
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Amelie
Requiem For a Dream
Shindler's List
Casablanca
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Indiana Jones
Star Wars...the first trilogy. The new ones are garbage
Pulp Fiction (the movie I took my wife to on our first date...it was
a test...she passed).
Finding Nemo and Monsters Inc: My son and I love both these movies. I
think I have seen both at least fifty times.
Lost Highway
Spaghetti westerns, Sergio Leone classics such as: Once Upon a Time in
the West, The Good The Bad, The Ugly. Fistful Of Dollars. Great web site
about his work here
Red River (John Wayne)
The Searchers (John wayne)
Apocalypse Now
A Streetcar Named Desire
On the Waterfront
The Usual Suspects
James Cagney gangster movies
Most Hitchcock movies
City of the Lost Children
American Beauty
The Insider
The Matrix (first one only)
James Bond: Sean Connery only
Airplane
Anything with Triumph the Insult Dog
The Simpsons (love the Simpsons)
Bowling For Columbine(interesting movie,but very slanted)
Heat
The Mission
The Thin Red Line
Platoon
Saving Private Ryan (if only they had not cast Matt Damon, jail that casting
director)
21 grams
Talk to Her
Amores Perros
Godfather 1&2 Number 3 was worthless
Love Actually (couldn't believe I liked it, but I thought that it did
a great job of displaying the complexities of love, and in a humorous manner.)
The Deer Hunter
Charlie and The Chocolate Factory. I heard they are doing a remake...mmmm
chocolate.
Life Is Beautiful
Cinema Paradiso
The Treasure of the Sierra Madre
Seven
Gattaca
Punch Drunk Love
The Breakfast Club
Ferris Buellers Day Off
Braveheart
Forest Gump
Spaceballs
Time Bandits
Brazil
1984
City of God
A Very Long Engagement
HBO SHOWS
(you have to see the series from the start, otherwise all
is lost!)
The Wire (Hard to follow at first, but one of the best written shows I have ever experienced).
Deadwood
Six Feet Under
Band of Brothers
The Sopranos
Dexter
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REM http://www.remhq.com/flash/index.html
U2 http://u2.com/intro.html
Dead Can Dance http://www.deadcandance.com/
Sade http://sade.com/sade/
Depeche Mode http://www.depechemode.com/
The Cure http://www.thecure.com/
Bjork http://bjork.com/
Madonna http://home.madonna.com/
Bob Marley http://www.bobmarley.com/
Cake http://www.cakemusic.com/
Nine Inch Nails http://www.nin.com/
Jamiroquai http://www.jamiroquai.co.uk/index.html
James Brown http://www.funky-stuff.com/
Tears For Fears http://www.sonymusic.com/artists/TearsForFears/
Van Morrison http://www.harbour.sfu.ca/~hayward/van/van.html
Dave Matthews http://www.davematthewsband.com/
David Gray http://www.davidgray.com/music.html
Dido http://www.didomusic.com/
Lemon Jelly http://www.lemonjelly.ky/
Dave Brubeck http://dave-brubeck.com/main.html
Miles Davis http://www.milesdavis.com/
Beastie Boys http://www.beastieboys.com/
Bare Naked Ladies http://www.bnlmusic.com/
Toad The Wet Sprocket http://www.toadthewetsprocket.com/
Sarah Mclachlan http://www.sarahmclachlan.com/
Tracy Chapman http://www.tracychapman.com/
Morphine http://www.morphine3.com/
Coldplay http://www.coldplay.com/site.php
Paul Simon http://www.paulsimon.com/
Simon & Garfunkel http://www.simonandgarfunkel.com/
Billy Holiday http://www.cmgww.com/music/holiday/
Charlie Parker http://www.cmgww.com/music/parker/business/
Groove Armada http://www.groove-armada.com/holder6.html
Pearl Jam http://www.pearljam.com/
Nirvana http://www.nirvana-music.com/
Radiohead http://www.radiohead.com/
Smashing Pumpkins http://www.smashingpumpkins.com/
Squirrel Nut Zippers http://www.snzippers.com/
The Beatles http://www.thebeatles.com/
The Rolling Stones http://www.rollingstones.com/home.php
Morrissey http://www.morrisseymusic.com/
The Smiths Smiths/Morrissey
Tribute Page
Royksopp http://www.royksopp.com
George Clinton http://www.georgeclinton.com/
Gipsy Kings www.gipsykings.com

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Creative/Fun/
Information Links
Michel Gondryhttp://www.michelgondry.com/
Cirque du Soleil
Optical Illusions
HomeStarRunner
Apple
Wired
Archive Video Clips (Reefer
Madness, Hormell!)
Ren and Stimpy
The Simpsons
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| Starting Fall 2008, student work will be available for purchase. Profits will be divided up evenly and be paid to the artist and to the Fine Arts Department for student supplies and equipment. |
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